ROAD SCHOLAR :
COAST TO COAST LATE IN THE CENTURY
(Hyperion, 1993)

Andrei Codrescu describes his coast-to-coast journey across the United States, discussing the beatniks, ex-hippies, and poets in New York's East Village, a drive-through wedding in Las Vegas and other oddities. Inspired by Kerouac's legendary paean to American wanderlust, On the Road, Codrescu sets out to discover for himself the wonders of the USA. Published to tie in with its companion PBS-TV special, the book sparkles with the author's wit and sardonic humor. 60 photos.

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"Mr. Codrescu is the sort of writer who feels obliged to satirize and interplay with reality and not just catalogue impressions...it's a measure of talent..."
- Francis X. Clines, The New York Times Book Review

"Codrescu is a wordsmith par excellence...a modern day DeTocqueville...a wry and whimsical, pungently idiosyncratic documentary."
- Joe Leydon, The Los Angeles Times

"Codrescu's distinctive perspective makes the trip worth taking."
- Variety

"Funny, exceptionally moving search for Whitman's America."
- The Village Voice

"Codrescu is among the most astute contemporary observers of what William Carlos Williams called 'the American grain,' while simultaneously joining playwright Eugene Ionesco as one of Romania's great rememberers of dictatorial things past."
- Houston Chronicle

"Mr. Codrescu, with the deadpan burlesque of a jaded outsider, rightfully assumes his place among the keener chroniclers of the American spirit, 1990s style. On film as on the radio, his work is defined by the tensions at play between humor and sentiment, between one-liners and aphorism, and between immigrant optimism and dissident cynicism."
- The New York Times

From Kirkus Reviews, February 15, 1993:
Romanian-born poet, professor (English/LSU), and NPR commentator Codrescu (the Hole in the Flag, 1991, etc.) drives from East Coast to West, nosing into the sort of lovably wacky Americana that's made the comparable dispatches of fellow wheelman/writer Charles Kuralt so popular. One big difference between Codrescu and Kuralt, though, is that Kuralt responds to American eccentricity with levelheaded wisdom and humor, while Codrescu appears every bit as odd as his subjects. The first step in his odyssey, for instance, is learning how to drive: The 40-ish author never has mastered the skill - and not for want of trying: "I tried to learn...The third time...I drove right into [a] stream. I had gotten so confident I forgot to steer." Nevertheless, Codrescu tries again, taking driver's ed in his adopted hometown of New Orleans - and this time he succeeds, and decides to buy a Cadillac. but the new models look like "cold mashed potatoes," so he purchases a 1968 red Caddie convertible. With camera crew in tow (his trip is to be filmed for theatrical release), he heads to N.Y.C., where he receives Allen Ginsberg's "blessing" and begins his journey west. Along his erratic way, he pays homage at Walt Whitman's grave; explores a crime-ravaged Detroit and a still-vital Chicago, where he visits a pig-slaughterhouse; races down to Arizona and up to Las Vegas ("the Kingdom of If"); and winds up in San Francisco. Throughout, he takes special interest in sociospiritual phenomena (religious communes; a Sikh village in New Mexico; rebirthing and past-life regression, both of which he undertakes with zest, etc.), emphasizing that "paradoxically, the most materialistic country in the world is also the most spiritual." Witty, smart, and unpredictable. But America is more than its fringe, and Codrescu, with his yen for the bohemian and the bizarre, never quite uncovers the land's expansive, mainstream heart. (Seventy-four b&w photographs, some seen).
- ©1993, Kirkus Associates, LP. All Rights Reserved.